FRIDAY, JANUARY 10TH, 2014 8:00PM
SATURDAY, JANUARY 11TH, 2014 8:00PM
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“To D. Scarlatti (1685–1757) with apologies”—so composer Erik Lotichius (1929–2015) dedicated his Anaitalrax: Twenty-five virtuoso piano studies. Yes, the work’s title—Anaitalrax—is Scarlattiana sounded backwards, but this sly wink is indicative of a deeper, more layered operation at the core of Lotichius’s
“To D. Scarlatti (1685–1757) with apologies”—so composer Erik Lotichius (1929–2015) dedicated his Anaitalrax: Twenty-five virtuoso piano studies. Yes, the work’s title—Anaitalrax—is Scarlattiana sounded backwards, but this sly wink is indicative of a deeper, more layered operation at the core of Lotichius’s
Download full text here. ABSTRACT: Professional vocal ensembles have few published resources to assist their managers in navigating the economic and societal currents of the performing arts. Yet, professional choral performance is growing across America. This study seeks to theorize
Download full text here. ABSTRACT: Professional vocal ensembles have few published resources to assist their managers in navigating the economic and societal currents of the performing arts. Yet, professional choral performance is growing across America. This study seeks to theorize
Paul A. Epstein: Piano Music R. Andrew Lee, piano Will Robin, program note Irritable Hedgehog Records 1) Drawing No. 5 (Triangles) 2) Drawing No. 3 (Slow Title) 3) Drawing No. 4 (Triangle, Broken Horizontal and Vertical Lines, Rectangles, and Parallelograms)
Paul A. Epstein: Piano Music R. Andrew Lee, piano Will Robin, program note Irritable Hedgehog Records 1) Drawing No. 5 (Triangles) 2) Drawing No. 3 (Slow Title) 3) Drawing No. 4 (Triangle, Broken Horizontal and Vertical Lines, Rectangles, and Parallelograms)
Video of my conducting in performance, rehearsal, and masterclasses can be viewed on my Vimeo page.
Video of my conducting in performance, rehearsal, and masterclasses can be viewed on my Vimeo page.
Approaching Dutilleux’ is a series of recordings taken from a concert project that took place in London and Cambridge in May 2014. Scheduled on the one-year anniversary of Henri Dutilleuxs death (22 May, 2013), five emerging composers from around the
Approaching Dutilleux’ is a series of recordings taken from a concert project that took place in London and Cambridge in May 2014. Scheduled on the one-year anniversary of Henri Dutilleuxs death (22 May, 2013), five emerging composers from around the
Realign the Time – Quince Contemporary Vocal Ensemble October 2014 ––––––– Three Madrigals – Max Grafe Bantams in Pinewood Tea Fabliau of Florida 4. Squarepushers – Amanda Feery 5. Le Salève – Jonathan Sokol 6. Decantations for voices – Ravi Kittappa 7. Hommage – David Grant
Realign the Time – Quince Contemporary Vocal Ensemble October 2014 ––––––– Three Madrigals – Max Grafe Bantams in Pinewood Tea Fabliau of Florida 4. Squarepushers – Amanda Feery 5. Le Salève – Jonathan Sokol 6. Decantations for voices – Ravi Kittappa 7. Hommage – David Grant
This is the second of three posts I am writing in preparation for the South London Chamber Concerts performance on Saturday, September 28, 2013. As a disclaimer, let me say that I know that this post is far too short
This is the second of three posts I am writing in preparation for the South London Chamber Concerts performance on Saturday, September 28, 2013. As a disclaimer, let me say that I know that this post is far too short
Litany for the Whale Jeremiah Cawley, voice
Litany for the Whale Jeremiah Cawley, voice
Audi Coelum UW Madison Madrigal Singers and Madison Early Music Festival Jeremiah Cawley and Will Bouvel, tenors Bruce Gladstone, conductor Duo Seraphim – “Tres sunt” UW Madison Madrigal Singers and Madison Early Music Festival Jeremiah Cawley, Will Bouvel, and Peter
Audi Coelum UW Madison Madrigal Singers and Madison Early Music Festival Jeremiah Cawley and Will Bouvel, tenors Bruce Gladstone, conductor Duo Seraphim – “Tres sunt” UW Madison Madrigal Singers and Madison Early Music Festival Jeremiah Cawley, Will Bouvel, and Peter
Here (In Circles) – Michel Van Der Aa Ivan Arteaga, clarinet : Evan Smith, bass clarinet : Erik Reed, trumpet : Andrew Angell, percussion : Maria Mannisto, soprano : Alina To and Mara Sedlins, violins : Olivia Thomas, viola : Alex Ho,
Here (In Circles) – Michel Van Der Aa Ivan Arteaga, clarinet : Evan Smith, bass clarinet : Erik Reed, trumpet : Andrew Angell, percussion : Maria Mannisto, soprano : Alina To and Mara Sedlins, violins : Olivia Thomas, viola : Alex Ho,
“Under Cawley’s baton, the ensemble gave a sizzling performance” I Care if You Listen – The Box is Empty & Nat Evans: An evening of premieres at Seattle’s Century Ballroom by Dana Wen
“Under Cawley’s baton, the ensemble gave a sizzling performance” I Care if You Listen – The Box is Empty & Nat Evans: An evening of premieres at Seattle’s Century Ballroom by Dana Wen
