“You hear the drunkenness, the hurrying horse, the spinning, the horror and doom in Britten’s superb score, well-played under conductor Jeremiah Cawley”
Seattle Times – Vespertine Company is Small but Mighty in ‘Lucretia’ by Phiippa Kiraly
REVIEW – The Rape of Lucretia – Seattle Times
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Tribute and Legacy: Erik Lotichius’ Anaitalrax (Solaire Records)
“To D. Scarlatti (1685–1757) with apologies”—so composer Erik Lotichius (1929–2015) dedicated his Anaitalrax: Twenty-five virtuoso piano studies. Yes, the work’s title—Anaitalrax—is Scarlattiana sounded backwards, but this sly wink is indicative of a deeper, more layered operation at the core of Lotichius’s
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Tribute and Legacy: Erik Lotichius’ Anaitalrax (Solaire Records)
“To D. Scarlatti (1685–1757) with apologies”—so composer Erik Lotichius (1929–2015) dedicated his Anaitalrax: Twenty-five virtuoso piano studies. Yes, the work’s title—Anaitalrax—is Scarlattiana sounded backwards, but this sly wink is indicative of a deeper, more layered operation at the core of Lotichius’s
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DISSERTATION – The Economic, Aesthetic, and Nonprofit Organization of Professional Vocal Ensembles
Download full text here. ABSTRACT: Professional vocal ensembles have few published resources to assist their managers in navigating the economic and societal currents of the performing arts. Yet, professional choral performance is growing across America. This study seeks to theorize
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DISSERTATION – The Economic, Aesthetic, and Nonprofit Organization of Professional Vocal Ensembles
Download full text here. ABSTRACT: Professional vocal ensembles have few published resources to assist their managers in navigating the economic and societal currents of the performing arts. Yet, professional choral performance is growing across America. This study seeks to theorize
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BLOG – A Review of Paul A. Epstein: Piano Music – R. Andrew Lee, piano
Paul A. Epstein: Piano Music R. Andrew Lee, piano Will Robin, program note Irritable Hedgehog Records 1) Drawing No. 5 (Triangles) 2) Drawing No. 3 (Slow Title) 3) Drawing No. 4 (Triangle, Broken Horizontal and Vertical Lines, Rectangles, and Parallelograms)
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BLOG – A Review of Paul A. Epstein: Piano Music – R. Andrew Lee, piano
Paul A. Epstein: Piano Music R. Andrew Lee, piano Will Robin, program note Irritable Hedgehog Records 1) Drawing No. 5 (Triangles) 2) Drawing No. 3 (Slow Title) 3) Drawing No. 4 (Triangle, Broken Horizontal and Vertical Lines, Rectangles, and Parallelograms)
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Conducting Portfolio
Video of my conducting in performance, rehearsal, and masterclasses can be viewed on my Vimeo page.
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Conducting Portfolio
Video of my conducting in performance, rehearsal, and masterclasses can be viewed on my Vimeo page.
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RECORD – The Riot Ensemble – Approaching Dutilleux
Approaching Dutilleux’ is a series of recordings taken from a concert project that took place in London and Cambridge in May 2014. Scheduled on the one-year anniversary of Henri Dutilleuxs death (22 May, 2013), five emerging composers from around the
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RECORD – The Riot Ensemble – Approaching Dutilleux
Approaching Dutilleux’ is a series of recordings taken from a concert project that took place in London and Cambridge in May 2014. Scheduled on the one-year anniversary of Henri Dutilleuxs death (22 May, 2013), five emerging composers from around the
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BLOG – A Review of Quince Contemporary Vocal Ensemble’s Realign the Time
Realign the Time – Quince Contemporary Vocal Ensemble October 2014 ––––––– Three Madrigals – Max Grafe Bantams in Pinewood Tea Fabliau of Florida 4. Squarepushers – Amanda Feery 5. Le Salève – Jonathan Sokol 6. Decantations for voices – Ravi Kittappa 7. Hommage – David Grant
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BLOG – A Review of Quince Contemporary Vocal Ensemble’s Realign the Time
Realign the Time – Quince Contemporary Vocal Ensemble October 2014 ––––––– Three Madrigals – Max Grafe Bantams in Pinewood Tea Fabliau of Florida 4. Squarepushers – Amanda Feery 5. Le Salève – Jonathan Sokol 6. Decantations for voices – Ravi Kittappa 7. Hommage – David Grant
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BLOG – Coming to Terms with Strauss – Part 2 of 3
This is the second of three posts I am writing in preparation for the South London Chamber Concerts performance on Saturday, September 28, 2013. As a disclaimer, let me say that I know that this post is far too short
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BLOG – Coming to Terms with Strauss – Part 2 of 3
This is the second of three posts I am writing in preparation for the South London Chamber Concerts performance on Saturday, September 28, 2013. As a disclaimer, let me say that I know that this post is far too short
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AUDIO – John Cage – Litany for the Whale Excerpt
Litany for the Whale Jeremiah Cawley, voice
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AUDIO – John Cage – Litany for the Whale Excerpt
Litany for the Whale Jeremiah Cawley, voice
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AUDIO – Monteverdi Vespers Excerpts
Audi Coelum UW Madison Madrigal Singers and Madison Early Music Festival Jeremiah Cawley and Will Bouvel, tenors Bruce Gladstone, conductor Duo Seraphim – “Tres sunt” UW Madison Madrigal Singers and Madison Early Music Festival Jeremiah Cawley, Will Bouvel, and Peter
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AUDIO – Monteverdi Vespers Excerpts
Audi Coelum UW Madison Madrigal Singers and Madison Early Music Festival Jeremiah Cawley and Will Bouvel, tenors Bruce Gladstone, conductor Duo Seraphim – “Tres sunt” UW Madison Madrigal Singers and Madison Early Music Festival Jeremiah Cawley, Will Bouvel, and Peter
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VIDEO – The Box Is Empty – Live at the Century Ballrooom
Here (In Circles) – Michel Van Der Aa Ivan Arteaga, clarinet : Evan Smith, bass clarinet : Erik Reed, trumpet : Andrew Angell, percussion : Maria Mannisto, soprano : Alina To and Mara Sedlins, violins : Olivia Thomas, viola : Alex Ho,
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VIDEO – The Box Is Empty – Live at the Century Ballrooom
Here (In Circles) – Michel Van Der Aa Ivan Arteaga, clarinet : Evan Smith, bass clarinet : Erik Reed, trumpet : Andrew Angell, percussion : Maria Mannisto, soprano : Alina To and Mara Sedlins, violins : Olivia Thomas, viola : Alex Ho,
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REVIEW – The Box Is Empty Live at the Century Ballroom – I Care If You Listen
“Under Cawley’s baton, the ensemble gave a sizzling performance” I Care if You Listen – The Box is Empty & Nat Evans: An evening of premieres at Seattle’s Century Ballroom by Dana Wen
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REVIEW – The Box Is Empty Live at the Century Ballroom – I Care If You Listen
“Under Cawley’s baton, the ensemble gave a sizzling performance” I Care if You Listen – The Box is Empty & Nat Evans: An evening of premieres at Seattle’s Century Ballroom by Dana Wen
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